Eat Pray Love

Eat Pray Love

While trying to get pregnant, a happily married woman realizes her life needs to go in a different direction, and after a painful divorce, she takes off on a round-the-world journey. Based on the memoir by Elizabeth Gilbert.

Eat Pray Love

Režija: Ryan Murphy
Scenarij: Ryan Murphy
Dolžina: USA:133 min
Jezik: English
Žanr: Drama
Kljucne besede:
Slogan: From the guys who couldn’t sit through another vampire movie!
Zgodba: While trying to get pregnant, a happily married woman realizes her life needs to go in a different direction, and after a painful divorce, she takes off on a round-the-world journey. Based on the memoir by Elizabeth Gilbert.
Glavni igralci filma Eat Pray Love: Julia Roberts, I. Gusti Ayu Puspawati, Hadi Subiyanto, Billy Crudup, Viola Davis, A. Jay Radcliff, Mike OMalley, Ashlie Atkinson, James Franco, Lisa Roberts Gillan, Ryan ONan, Gita Reddy, Dwayne Clark, Jen Kwok, Mary Testa
Karakterji, ki se pojavljajo v Eat Pray Love: Becca Crane, Edward Sullen, Frank Crane, Jacob White (as Christopher N. Riggi), Rachel, Antoine, Jack, June, Salvatore, Daro, Nicholas, Max, Rosalyn, Jeremiah, Alex, Liz Gilbert, Nyomo, Ketut Liyer, Stephen, Delia Shiraz, Andre, Andy Shiraz, Bookstore Girl, David Piccolo, Woman in Play, Play Walk-Out, The Guru, NYU Student Boyfriend, NYU Student Girlfriend (as Jennifer Kwok), Laundromat Gal
Lokacija snemanja: Bali, Indonesia
Oblika filma: 1.85 : 1
Datum izdaje: 13 August 2010 (USA)
Zanimivosti v filmu Eat Pray Love: “Samba Da Bencao” by Bebel Gilberto, featured during the Bali sequence of the film, also appeared in Closer (2004/I), another film featuring Julia Roberts.
Napake iz filma Eat Pray Love: Continuity: In the scene where Liz (Julia Roberts) and Richard (Richard Jenkins) are sitting at a table sharing a Thumbs Up, the two umbrellas in the drink switch from open to closed when the camera angle changes back and forth.

Zanimivi citati iz filma Eat Pray Love:
Liz Gilbert: Im sick of people telling me that I need a man. Felipe: You dont need a man, Liz. You need a champion.
Filmi, ki so podobni Eat Pray Love: Broken Flowers, Under the Tuscan Sun, I Am David, Running with Scissors, The Secret Garden

8 Responses

I felt self conscious and embarrassed somehow. Is this the model woman we should be inspired by? Oh my God! She’s like a bad replica of a mediocre man. She abandons her husband and he’s the one, quite rightly, who feels betrayed. She uses James Franco and then throws him away. Keeps Richard Jenkins at arms length until she discovers he has something that may be useful to her and then, Javier Bardem…She shouts at him I don’t have to love you to love myself. What? She reeks of an awful case of selfishness but as she is played by Julia Roberts the whole thing becomes rather confusing. Is she a modern heroine? Oh God, I hope that wasn’t the intention. I felt as far away from her even further away from the character she played in “My Best Friend’s Wedding” Remember that one? In that one she becomes a criminal, really, yes, a criminal, to ruin her friend’s wedding. Oblivious to the fact that’s he’s clearly happy with Cameron Diaz. No, she’s only worried about herself. I’m giving “Eat Pray Love” a 3 and not a 1 because some landscapes, geographic as well as culinary are, quite simply, breath taking. Also Javier Bardem is worth the price of the very expensive ticket.

If you’ve kept up with my reviews (lets pretend you have), you are going to find that the genre I touch most seldom is the romantic comedy. They are by nature a contagious quagmire of failed puns, roads repaved with familiar plots, and their stars have signed with the devil. Enter Julia Roberts, queen of the romcom. No doubt a talented actress, if not the most famous of her generation, Julia has played a big role in cashing in on the average woman’s dream.

In her latest effort Julia plays Liz Gilbert in the autobiographical book turned movie Eat Pray Love. Liz is a writer visiting Bali in search of a wise/toothless medicine man. He reads the palm of her hand and she takes everything to gospel. Leaving behind husband Stephen (Billy Crudup), Liz seeks out new adventure in the form of exotic cuisine, Eastern religion, and male suitors.

Eat Pray Love is directed by Ryan Murphy. Murphy is best known as the creator of Glee, last year’s breakout TV show about misfits who triumph through song. With his name in the mix people are going to be disappointed that Julia and friends don’t break out into song and dance. Even if you consider that Murphy could have interests outside of musicals, you’d expect some sassy dialog exchanges like those seen on the show between the characters Will Schuester and Sue Sylvester. Hate to disappoint you but that’s not going to happen either.

Julia Roberts is a darling despite the degrading material and I’m sure the draw of her chowing down will appeal to the target demographic until they realize that phase is left behind once Liz leaves Italy. If this were the story of a woman looking for the best things in life, I wouldn’t take as much issue as I do. See, that’s how one half of the population would view the plot. I see it more along the lines of a typical entry in the long catalog of films where the female lead has no idea what she’s looking for in her life so she does whatever is irrational and fun because that’s how movie magic works. Liz throws out a man who has given the viewer no reason for dismissal, but this is standard procedure in a chick flick because here woman can do anything and their lives will always improve. I’ve encountered far too many girls who take these plots to heart and implement them in the real world, leaving a trail of confused men in their wake. I’m a guy, and I’m not dumb enough to think that all the explosions I see in the films designed for my gender need to be realized at home.

What Eat Pray Love has going for it is a borderline competency that lifts it slightly above film festival rejects. Actually the presence of A-list talent and obvious travel expenses add more to the production value than any cinematic technique on display. Many scenes are littered with mishandled lights, resulting in a glaucoma simulation that gave me a headache. It’s even a tossup as to whether or not to anoint the audio as clear since half of Javier Bardem’s dialog would be read as inaudible should one rent the Blu-ray down the road and turn on subtitles. Speaking of Bardem, his character’s late appearance goes against every screen writing rule. In fact, it felt like I was two hours into Eat Pray Love before I started to question whether or not I had seen him in the TV spots.

There is so little of consequence taking place that I don’t understand why this is a movie. Plenty of books have plots that don’t equate into a two-hour film and many of those actually have tension. Liz’s only conflict is from her own sociopath concepts. She’s established early on as a poor playwright, highly gullible, and dare I say spoiled. These are not desirable traits. It’s amazing how easily everyone accepts Liz. Italy, India, and Indonesia extend nothing but open arms and everyone who she turns to for advise is essentially the same character with the one exception being Richard from Texas (Richard Jenkins)—the sole character that doesn’t seem to exist for Liz’s personal amusement. I haven’t seen such a patronizing, boring, alleged comedy in years. Eat Pray Love is a marathon that will surely test any burgeoning relationship and possibly cause a divorce. Girls, if your male friend can stomach this you’ve either found an idiot or a liar. Pray for mercy.

Just like Sex in the City, this film glorifies female borderline personality disorder. This film highlights fundamental flaws and defects in a woman’s character and frames them as character assets. The film starts out with a pampered princess who has a loving and decently handsome husband who falls over himself for his wife (Julia) yet she is discontent due to major character flaws which are likely attributable to selfishness, self-centeredness and arrogance so she she decided to go “find” herself with foreign lovers while eating Italian food.

If this movie’s main protagonist were a male, oh my God, could you imagine the female response? A male leaves his adoring, attractive wife to go bang foreign chicks while eating food? He would be considered a complete pig and further considered to be worth killing. These romcoms are now depicting women as these spoiled, privileged brats who are entitled to leave everybody else miserable while they “find themselves”. And the people they destroy both mentally and emotionally still “understand” that their torturer is just finding herself. These movies continue to portray hurtful and harmful behavior as a “spiritual awakening”. Julia Roberts plays the role of a spoiled, arrogant brat who is full of herself. After her jaunt to India maybe she wants to go join the other vapid female crew over in Dubai for a walk in the desert with no water.

In typical romcom fashion we have the arrogant female who leaves a trail of emotional wreckage in her wake (which we’re supposed to discount completely as a sacrifice to the greater good of the female) while she searches the world for hippies, food and lovers. We have these sorry sack men who continue to tell her how great and special she is although she is the complete opposite of these things. We have arrogance and selfishness put on display and covered with a false veil of gold. This woman should be in court losing 1/2 of all her earnings to her husband whom she left to go whore about for no good reason. This woman should be the scourge of the Earth and should receive social contempt for her behavior. However, like most romcoms the female can hurt everyone she knows if it will aid her superficial quest for some kind of make believe fulfillment and then, like Stockholm Syndrome, all her victims will forgive her or tell her she is the most important thing in the world and her happiness comes before anybody or anything else. I can’t believe men are still depicted as the heartless characters in films when every romcom depicts evil as good.

This movie made me cringe. I was forced to see it with mom, sister and wife. I told them all that the film literally made me sick. They agreed. This sort of behavior that is being engendered into women is sickening. Women who believe such a film represents anything positive about anything need to have their head checked for borderline personality disorder. Men need to stop treating women like little precious pieces of glass when those same women are not pieces of glass, are not these cute little powerless creatures but are instead, like Liz in the movie, arrogant, snotty, pampered, privileged, rude, morally bankrupt, conniving, selfish dolts who believe that their superficial happiness is worth any emotional cost to other people.

Do not see this movie and encourage others to avoid it like the plague

I loved the book. I thought Julia Roberts as Liz was fantastic casting. The trailer looked awesome. I smiled every time I saw it. Turns out, I loved everything about this movie except the movie.

Long story short, it’s all of the arc of the book, without any of the passion. While never horrible, this film simply made me feel nothing.

I found the book soulful, moving, even transformative at times. The greatest emotion I felt from the film was hunger (for Italian pizza), thirst (for Italian wine), and an occasional dizziness due to director Ryan Murphy’s apparent recent discovery of how to “pan.” It was laughable camera-work throughout the first 45 minutes, and occasionally throughout.

The first 1/2 hour of the film was almost unbearably bad, even though the first section of the book was amongst my favorites. Perhaps someone who did not read the book could enjoy this movie, but I somehow doubt it. One time Liz made a joke, that was a nice break from the feeling of being in a lukewarm bathtub for 2 1/2 hours. Not unpleasant, just meh.

Instead of finding Liz intelligent and thoughtful, she seemed selfish, boring, and obsessed with men. Instead of finding spirituality, she seemed vapid. When the character becomes shallow, a film centered around that character becomes a throw away. Maybe I’ll just watch the trailer again.

When I read the book last year, I had just lost my job, was looking for a new one and eating everything that was bad for me, so I enjoyed Liz’s misery and newfound joys. But now that I’m content, in this new phase of life, I find myself annoyed by people who create their own drama and then whine about it. So I would not have enjoyed the book if I were to read it now. Although everyone does a good job in this film, and the scenery is breathtaking — now I want to go to Rome!!!– I really couldn’t stand Liz. She has everything but whines about how “I don’t even know how to be HERE!” I meet people in my new job who are fighting cancer every day — they deserve the opportunity to whine (and few do, I might add). But pretty people who have everything and think they deserve more just tick me off. And it was a long painful sit. I do love the men in this movie — each one of them is so good. And Julia Roberts does what she can with this selfish character. I just don’t want to spend any more time with spoiled Liz. The time I spent watching her only ticked me off. I cannot recommend it, unless you’re self centered, indulged and rich — this could be your inspiration. Phoo!

I love travelogues and I’m a fan of Julia Roberts but, what happened here? I’m not sure in what period, time wise, it this set. The only turmoil seems to be in this very selfish forty-something. What about the rest of the world? She goes for a sort of journey of discovery in a world that doesn’t really exist. Did I miss something? No wars, no economic crisis, no nothing, only the intimate qualm of a woman who I, personally, cannot feel represented by. I grant you I’m from another generation but, please! What is this. I loved the food and Javier Bardem and it is in fact the Bardem episode that brings some kind of recognizable something to the proceedings. So, let me recapitulate and ask you if we’ve seen the same movie…A woman facing an existential crisis and moves out from her marital abode without even having a discussion about it with her husband – a scrumptious Billy Crudup – then she has an affair with James Franco – who wouldn’t, right? – but the Franco in this movie is just a pain reflection of the Franco from “Milk” just to name one title. The Naples presented here seems out of the mind of someone who’s never been to Naples. I don’t know what to say. I’m a bit puzzled and, I should confess, a bit annoyed.

Most people I know are going to see this film for Julia Roberts. It is that mysterious link that film stars create with their audiences. We develop a sort of craving to see them again. So a new Julia Roberts movie? Sure. Absolutely. I’m only a few years younger than Julia Roberts which means we have grown together. So, to see her play a woman facing a sort of middle age crisis makes you look inwards with a smile, the nervous kind. I must also say I’m a guy, heterosexual, but not fanatically so. I don’t have the fears that, Jay Leno for instance, shows, when confronted by a “chick flick” If anything “Eat Pray Love” proves that men and women are not that far apart, we simply deal with the same problems in different ways. Here, the filmmakers don’t shy away from the conflict and the balance is real. Julia’s husband, played beautifully by Billy Crudup, accuses her of leaving the marriage without an explanation. He is the one with the broken heart. In Italy, Julia eats and our own gastric juices start to do their thing. I glanced at my watch, I was ready to run into the nearest Italian restaurant and have a relationship with a pizza myself. Italy, Rome and even Naples look so clean that I hardly recognized it. CGI? Luca Argentero plays Julia’s tutor/tourist guide. He is a good looking guy that after appearing in the Italian version of the Big Brother reality show, he became a sort of local movie star and shows promising acting chops. Here, strangely enough, he looks small but charming all the same. India brings the wonderful Richard Jenkins and a solid piece of advise: “don’t give up on love” Bali, well, Bali is something else and it is there that Javier Bardem comes into the picture and provides us with the best scene in the film. I’m not going to tell you what it is but let me just say that involves his son and gives us, finally, a side of Julia we didn’t know how much we missed. Empathy. Feeling something for somebody else’s feelings. I think I may see the film a second time just to see that scene again. I also should mention that James Franco plays a young actor – not what I call a stretch – considering he is my favorite of the young actors around. I will challenge other members of my sex to go and see it. Not to be afraid to feel identified or even chocked up. I can assure you it’s not going to diminish you manliness in any way and will awake your appetites, big time.

Two moments have stayed with me, one in particular: Javier Bardem crying as he says goodbye to his 19 year old son. The moment provokes a reaction on Julia Roberts’s character that makes her totally human. The moment comes on the last third of the film so I thought it was a bit too late to start my relationship with her. The other moment happens at the beginning after she decides to walk away from her marriage and realizes she has broken her husband’s heart. Terrifici Billy Crudup fighting back tears as the elevator door closes. I love Julia Roberts but I can’t quite buy her “philosophical face” 42 years of age in the new millennium is far too young for that kind of crisis, specially when the crisis is provoked by something missing in her. So, okay, a journey of discovery, but then. The discovery is that she knew it all along. What next. I must say the guys in the movie get the prize, third price really. The firs price goes to the location, second price to the food – goodness, the food! – and third the guys. Bardem fantastic, Richard Jenkins superb – Billy Crudup surprisingly real, James Franco also great and Luca Argentero another plus.

Leave Your Response

* Name, Email, Comment are Required